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“PAX QUAERITUR BELLO”  
-Forward by
 Professor Ronald Hutton
Head of Subject
University of Bristol-

 

The great Civil War of the 1640s was probably the worst experience the English, Welsh, and Cornish had ever known.  In terms of actual mortality, about a quarter of a million people out of a population of less than five million died, directly or indirectly, because of the conflict.  Sure, plagues -Bubonic Plague and influenza- killed a greater percentage of the population at certain times; but this was a conflict that didn’t just kill people - it annihilated their sense of themselves and of their world.  It dug up the very roots of their sense of religion, politics, and society; their chances of surviving as communities not just in this life, but in the next: their chance of getting to Heaven, or landing in Hell.

The Civil War of England was not a war between States.  There was no boundary lying between communities that opposed each other on principle, and because of religious and political differences.  This was a war which grubbed its way into the hearts of every county, every community, and many families.  It even tore individual minds and spirits apart.  This was a civil war in the true sense of the word- like a virus getting inside the “body politic” and rotting it from the inside, until at last it fell apart.

We tell the story here of one community - a vital, strategic little seaport, lying where the great chalk hills of the South country sweep down to face a sparking sea, and the Isle of Portland rises against the Southern sky beyond…


Loyal Men of England

Loyal men of England listen well         
Your king has rung the muster bell
He bids you rally to his side
To chase away the traitor’s tide
May all good men answer his call
May all good men answer his call                  

God in heaven is looking down
On every village and every town
He sees who’s faithful
He sees who’s not
He knows whose heart’s beset with rot
So come on men, answer to his call
Yes may all good men answer to his call

Come rich and poor, march unto his aid
Let not your argument be swayed
A pox on those who did betray
They’ll answer on judgment day
So come on men, answer to his call
May all good men answer to his call

With joyous hearts we’ll loudly sing
For the rightful true-born King
A King for you
A King for me
Glorious in his Majesty
So come on men, answer to his call
May all good men answer to his call.
Yes, may all good men answer to his call
Yes may all good men answer to his call

May God save our precious King
Lead him on to victory

Saviour of our wayward souls
Watching over this poor land
There to gather all to his side
At liberty’s last stand

Is basically a call to arms by the Royalists at the outbreak of hostilities using religion and fear as a form of blackmail. Many people were so shocked at the thought of another Englishman ever taking up arms against, as they saw it, a King ordained by God himself, that they were incensed beyond all reason.


The Good Old Cause.   
(Colonel William Sydenham’ Song)

A leader brave
A brother strong
Set apart from the common throng
Pledged his life to Parliament
All for the good old cause
Risk all for the good old cause

Lead from the front in peace or war
The King’s excesses to deplore
Live or die with sword in hand
All for the good old cause
Risk all for the good old cause

For whom do we fight ?
For God and the right
For whom do we fight ?
For God and the right
And all for the good old cause
Risk all for the good old cause

Born of soil, born of stone
Dorset meat on Dorset bone
Able to see through all the lies
All for the good old cause
Risk all for the good old cause

Lead from the front in peace or war
The King’s excesses to deplore
Live or die with sword in hand
All for the good old cause
Risk all for the good old cause

For whom do we fight ?
For God and the right
And all for the good old cause
Risk all for the good old cause
Risk all for the good old cause



This song is about the eldest of the five Sydenham brothers and the main character in the book. Colonel William Sydenham was a man apart. His iron will and disciplined mind made him the perfect leader in time of war and peace. Almost entirely forgotten now by the Country and County he served so ably, he remains one of the most interesting characters from the period.


Avenging Angel  (Francis Sydenham’s Revenge)

What price a mother’s love
What price a family name
What lengths to go to for revenge
On he who is to blame,
I rode with Francis Sydenham
Outnumbered six to one
Death held no fear for him
As Dorset’s bravest son.
I rode with Francis Sydenham
Outnumbered six to one
Death held no fear for him
As Dorset’s bravest son.

Stick close to me I heard him say
With thunder in his face
For I’ll now avenge my mother’s blood
Or die here in this place
He hacked and slashed
And cut a path
So that many a man fell
Then rode up to that murderer
And blew him straight to hell.
He hacked and slashed
And cut a path
So that many a man fell
Then rode up to that murderer
And blew him straight to hell.
 
Avenging angel
Relentless force
Hand of justice
In a rebel cause
Power of nature
Throughout the land
Soldier, brother
Dorset man
Soldier, brother
Dorset man
Soldier, brother
My soldier brother
My sweet soldier brother.

Major Francis Sydenham was a larger than life character.  The second of the brothers, he was a Dragoon officer and leader of the Parliamentary Horse in Dorset.  The Sydenham’s mother was callously murdered as she barred entry to her home to a Royalist raiding party led by a Major Williams.  3 months later, Francis chased Williams and his men all the way from Poole to Dorchester (23 miles) and fought his way through them to get to Williams.  Once there, he shot him dead with a pistol ball to the head, one of many heroic deeds that this professional soldier embarked upon.

 

 

 


 

 

 

The Heights of Chapelhay   (Francis Sydenham’s Song)

 

A light has gone out
At the dawning of the day
A bright, shining star
To illuminate our way,
A voice amongst the maelstrom
To hear what we say
Cut down on that bloody ground
On the heights of Chapelhay 

A first breath of summer
A shield against all ills
A lightning storm raging
Across fair Dorset hills
Our torch in the darkness
Has been taken away
Upon that bloody ground
On the heights of Chapelhay

And tears will fall
Just like the rain
When drums hail his name
Although he’ll never, never fight again
He’ll be remembered, by all Dorset men
He will be remembered
By all Dorset men

    (Spoken)

“Among the slain was Major Francis Sydenham, the Governor’s brother, whose memory may not be buried with him.  His death was no small joy to his enemies, to whom he was a perpetual vexation and terror, and no small grief to us who had our eyes too much upon him…”

 

 

 

 

At midnight on the 9th February 1645, 120 royalist soldiers from the garrison at Portland, aided and abetted by royalist sympathisers from Weymouth & Melcombe, attacked and captured two forts in Weymouth. Their watchword for this daring night attack was ‘Crabchurch’, which they used to lessen the chances of them killing each other by mistake in the darkness.  It was at one of these forts, the mighty Chapel Fort of St Nicholas overlooking Weymouth quay, that the never say die Major Francis Sydenham was mortally wounded whilst mounting a counter-attack to retake the fort.  The epitaph written for him by a minister in the garrison (and quoted as part of this song) speaks volumes of the esteem in which this fearless young man was held.

 

 

 LORD GORING’S MARCH

A beautiful instrumental piece by Taloch & Josh, to mark the arrival on the battle scene of the infamous Cavalier General, George, Lord Goring.  He was a professional soldier with a fearsome reputation for letting his men rape and pillage their way through every town they took.  He arrived outside Melcombe with 4,500 soldiers which meant that Sydenham’s small garrison was now outnumbered more than six to one.  Goring thought that he could teach the provincial upstart, Sydenham, a lesson in warfare that he would never forget.  But underestimating Colonel William Sydenham was Goring’s first and biggest mistake as around 500 royalist soldiers were killed in one terrible night of slaughter.

Lost Years

Black powder chokes my senses
Muskets deafening my ears
Comrades falling all around me
In this killing ground of tears

And I’m following the colours
‘Cos there’s nothing else I can do
Just waiting for the end to come
With one last, one last thought of you

Oh my heart is bleeding
Bleeding all over the earth
But in this world of pain and sorrow
What is one poor heart worth

Well I watch you sadly weeping
In mourning for our lost years
Though the days have turned to decades
Since my last letter stained with your tears

Well I’m following the colours
‘Cos there’s nothing else I can do
Just waiting for the end to come
With one last, last thought of you

Oh my heart is bleeding
Bleeding all over the earth
But in this world of pain and sorrow
What is one poor heart worth

LOST YEARS

This sad and haunting song speaks of loss and of the heartache of losing love and a life together, due to war.  The ghost of a woman's husband/lover lingers near her, even though decades have passed since they were parted.

The turning point of the whole Battle of Weymouth was when Colonel William Sydenham tricked his far more illustrious and experienced opposite number, George, Lord Goring into believing that he had already won the battle and that Sydenham’s men were routed.  On they came in their hundreds down the old, dark High Street of Weymouth, secure in their own minds of an easy victory.  Instead, they walked into a brilliantly laid ambush and were cut down where they stood.  About 200 were killed and, as a vicious hand to hand fight ensued, Sydenham’s Dorset soldiers succeeded in beating off the numerically superior and more experienced royalist force and chased them back out of Weymouth.

 

 

 

 

The Cold Waters of Weymouth Quay

They took us for soldiers
To fight in a war
Away across the sea
To battle the bloody English horde
For another man’s royalty

For a foreign King in a distant land
In a fight that’s not our own
Whether coward or brave
A watery grave
Is where you’ll find our bones

Chorus
From County Clare to God knows where
From heaven straight to hell
We fought and died in a February tide
In a freezing winter swell.
And ne’er again in sun or rain
Shall our poor dead eyes see
The Moher Cliffs, or Killaloe
From the waters of Weymouth Quay
Cold waters of Weymouth Quay

They called us Papists, they called us scum
They called us what ever they will
They hung us from trees
Like meat in the breeze
Till the crows had eaten their fill.

Tis true we came as mercenaries
To lay old Dorset bare
But they were too strong
And fought us like wolves
With a courage fine and rare

Chorus   
(Repeat)

THE COLD WATERS OF WEYMOUTH QUAy

Another desperately sad song.  After the disaster in the High Street, the royalists at last seemed to be making headway as 250 Irish soldiers who were stationed in an isolated fort upon the Nothe, fought their way into Weymouth to link up with Goring’s men.  Their luck ran out however when they met with the triumphant Sydenham’s men coming the other way and a short but bloody fight took place, which saw William Sydenham’s horse killed beneath him and the Irish beaten back and finally, fleeing for their lives.  But as the battle took place in the small hours of a cold February night, the Irishmen, on unfamiliar ground, missed their turning and instead blundered into, or else were driven over the quayside and into the freezing waters below.  All 250 perished in the cold waters of Weymouth Quay.

 

Welcome to the ‘Danse Macabre’

Tread softly, up on Nothe Hill
The folk up there don’t sleep too still
They don’t mind the driving rain
But a cold east wind
Sees them dance again
All to the Hangman’s tune
Yes all to the Hangman’s tune

The rooks and crows that circle the bay
Watch this grim carnival of decay
Swing and sway the whole day long
The cause they died for is proven wrong
Now all hear the Hangman’s song
All hear the Hangman’s song

And the Danse Macabre
Where the Devil takes your soul
Down, down, down to hell
The Danse Macabre
Where the Devil takes your soul
Down, down, down to hell
Down, down, down to hell

Conspiracy led them to their doom
All rotting in the late winter gloom
Hodder has flown the nest
The Bridport Dagger awaits the rest
They’ll all be dancing very soon
Yes all to the hangman’s tune.

So play the pipes and beat the drums
You will pay for what you’ve done
The moment the music stops
Is when you take the final drop ……

Welcome to the’Danse Macabre’
Where the devil takes your soul
Down, down, down to hell

Welcome to the Danse Macabre
Where the Devil takes your soul
Down, down, down to hell
To hell

With the Battle of Weymouth won, it was time for William Sydenham to track down the ‘Crabchurch Conspirators’ and to try them for their treachery and the loss of a much loved brother in arms, Francis.

Fabian Hodder, a Melcombe merchant and the main architect of the conspiracy, escaped justice, but many others were captured, tried and executed for their part in it.  This song is about paying the price and, dancing to the hangman’s tune..

 

 

Follow The Drum.

I was a Dorset farmer’s boy, till the Captain came for me
And I heard him speak of liberty to oppose the monarchy
So I learned to fight and I learned to kill and a musket learned to shoot
And we’ll take this King with all his court and remove them branch and root

And we’ll follow the drum to Kingdom Come
To forge a better way
And we’ll keep our standard flying high
Till freedom wins the day
And if I should fall before the end, don’t waste time mourning me
Just raise a glass and kiss my arse, then on to victory

And don’t hate the man who brought me down
It was either him or me
And the King’s to blame for curdling the cream
Of English soldiery
Let each man fight and each man die
And let his soul depart
Knowing he has walked a path
True to his own heart

And we’ll follow the drum to kingdom come
To forge a better way
And keep our standard flying high
Till freedom wins the day
And if I should fall before the end, don’t waste time mourning me
Just raise a glass and kiss my arse, then on to victory

Repeat

 

Essentially, a rousing drinking song, full of bravado, but with the unmistakable message that the tide of the war was turning against the King and that the common man saw a chance to change his world for ever.  A Dorset farmer’s boy hears a rebel Captain speak of opposing the crown, becomes a soldier of parliament and learns how to kill.  Bent on removing the monarchy once and for all from this land, he marches away to his destiny.

 

 

The World Turned Upside Down

                                                                 
Such a thing I never saw
As all these years of civil war
Seasons come and seasons go
Hard to tell a friend from foe

The Devil stalks this tortured land
Leading sinners by the hand
The people cry and wear a frown
To see their world turned upside down         

With knaves as master and masters’ knaves
So many lie in early graves
Questions asked, but no answers found
Just more bodies in the cold, cold ground

So hard to live, so quick to die
Searching for the reason why
Victims of a callous crown
That turned this old world upside down

Repeat all four verses.

A common term of the day, used in many different ways to register the hopelessness and woe felt by many at the time.  This simple, but effective bardic style rendering speaks of that feeling of doom which gripped this tortured land during the 1640s.

 


England’s Freedom, Soldier’s Rights   (The Leveller’s Song)

 

As sure as daybreak follows night
Out of darkness shall come light       
The principles on which we fight
Are England’s Freedom, Soldier’s Rights

The King and Lords have had their day
Their way of life is in decay
March forward to a brand new day
Together hand in hand

With sweat in rich brown soil tilled
With blood upon the battlefield
A true utopia to build
In Albion’s sacred land 
                                                                          
For as sure as daybreak follows night
Out of darkness shall come light       
The principles on which we fight
Are England’s Freedom, Soldier’s Rights

Out of pain and poverty
We must strive for liberty
A quest for true equality
For every common man

Repeat.

The battle cry of the Levellers, a group of politically aware soldiers of Cromwell’s New Model Army, who, as they quite rightly claimed, had fought and beaten the King and now wanted something in return …. guaranteed rights for every common man in the kingdom.  Many, both high born and low, agreed with them to varying degrees, but would Cromwell and the new elite, allow their dream to flourish ?

 

 

King Saviour

Righteous people gather unto him
The one and only King
Power of life and death over us
Sweet lord of everything

His glory everlasting comfort us
His mercy there to see
All you have to do is come to him
To live eternally
Repeat

A beautiful and unique piece of music, so unlike anything that The Dolmen have ever done before and giving full range to Taloch’s skill, both as a composer and musician. Featuring a guest appearance by guitarist, Jez Lee who also plays bouzouki on it.

In this song, in the eyes of the King’s dwindling supporters, both he and the King of Heaven merge as one eternal entity

 

 

 
The Crabchurch Conspiracy is a unique and authentic work developed and performed by The Dolmen,Taloch and author, Mark Vine.
The inspiration for the album was taken from the book of the same name which served as a catalyst for this musical journey.
We hope that those who find this subject of historical interest will understand that although these songs are recently composed they are done so with utter respect for all those who lived and died in those turbulent days, risking life, liberty and limb for the cause in which they believed



For more info on The Crabchurh Conspiracy please feel welcome
contact thedolmen@thedolmen.com

Words & Music are the copyright of The Dolmen & Mark Vine
The Crabchurch Conspiracy 2009

 



Home
Crabchurch page

 

New World

There’s a new world calling us
Far across the sea
We’ll build our own Utopia
Just for you and me

Far away from the madding crowd
That want to drag us down
Far away from the man who wears
That crooked, blood-soaked crown

So, weigh the anchor
Set the sails
Our journey has begun
Weigh the anchor
Set the sails
We’ll head towards the sun

We’ll be storming horizons new
To see the other side
Nothing more to be afraid of
Nothing left to hide

There’s a new world calling us
A chance to dream anew
To build our own Utopia
Just for me and you

Weigh the anchor
Set the sails
Our journey has begun
Weigh the anchor
Set the sails
We’ll head towards the sun

Repeat

After 9 years of debilitating civil war, it was little wonder that many felt as if a clean break, far away from the old country was the only answer.  As poverty and religious intolerance continued to sweep the land, both rich and poor set out for the New World in search of their own Utopia

 

PAX QUAERITUR BELLO REPRISE

As if to signify that nothing ever really changes, we leave the album as we entered it, with the inevitability of war being never more than a stupid decision or a hurt pride away.

Here’s hoping that one day, it will change.